In descriptive passages, Audubon and Dillard both pull back coarse flocks of birds in flight, Dillard delicateally pondering how exhilarating and beautiful these creatures ar art object Audubon observes them scientifically taking note as they fly all over him. Dillard uses an artistic approach to her observations, describing the evanescent birds a “flight extend like a waver banner, an unfurled oriflamme”. Her metaphors constructs to her artistic point of visualise and letting on fare she is taking this sight as a spiritual run into rather then a scientific observation. Dillard gives the birds an overview like if they were kingly creatures and appreciating a simpleton enjoyment one may cultivate for granted. She ends the passage describing the go out as an unexpected beauty that makes her lungs bellow which coincides with the last sentence, continuing with the mind that this is a spiritual experience. Audubon focuses to a greater extent on scienti fic dilate pinpointing his exact location, ( “as I left my house at Henderson on the banks of the Ohio, on my port to Louisville”), stating what time is it, and observing how umpteen birds fly by as he began to mark with his draw making a pane of glass for every flock that passed by.
He makes it easy to understand use simple diction such as “the air is literally filled with diction” speckle Dillard’s complex metaphors constructs to her artistic point of view. He continues to describe an ordinary prey vs. predator scene (lines 32 to 35) as he continues to document it. Audubon excessively identifies what species of bir! d he is notice which adds to his scientific approach. In both pieces they watch a akin event but experience them completely different. Dillard uses this as a way to have a one on one with her spirit while Audubon just takes notes on the 163 birds he proverb as if he were a professor. They both took a simple everyday pleasure and turn it into a day and nighttime observation.If you want to get a full essay, order it on our website: OrderCustomPaper.com
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