In What Sense is Cher, the protagonist of Clueless, a Hero?

In What Sense is Cher, the protagonist of Clueless, a Hero?

Nearly every literary work has a hero, or a main function that we perceive as being the hero. From when we were all very vernal we have had a hero of our own and most pack continue to look up to a hero healthful into old age despite the changing deeds and portrayals of heroes. new-made literature has come a long way since the offset hero and the standards of heroism have been severely altered. Heros come in legion(predicate) unalike shape and forms and they do many different deeds which are viewed as heroic. They can be categorise by the tasks they perform, for example, the classic hero performs great feats of strength and is unremarkably rewarded; the humble hero performs tasks simply because that is the right thing, despite the detail it often goes unappreciated, and the clever hero is able to outsmart his enemies without purge laying a finger on them. Cher, the central vitrine in Clueless can be thought of as an anti-hero as she performs no real heroic tasks and is often rather cowardly, yet being the main character, we consider her the hero. As sanitary as being differing types of heroes there are also many different views of heros and what being labelled a hero entails.



This analyze will explore some of the different perspectives of what it is to be a hero and what makes a hero and apply these ideas to the film Clueless.

Although Campbells conceptuality of the monomyth is the model from which most of our Hero archetype of human life occurs there is objection to the model. The Hero according to feminist interpretations (Millicent Lenz 1990), is based upon the surmise of the hero as male, white and usually...

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